Sir Peter Blake

BRITISH PAINTER AND PRINTMAKER

The work of Peter Blake - Godfather of British Pop Art - crosses all generational divides and inspires great respect from younger artists such as Damien Hirst, Gavin Turk, Pure Evil and Tracey Emin. Knighted in 2002, an honorary doctor of the Royal College of Art, and with his work represented in major collections throughout the world, Blake is one of the grand figures of British Art.

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Blake's work reflects his fascination with all streams of popular culture and the beauty to be found in everyday objects and surroundings. Many of his works feature found printed materials such as photographs, comic strips or advertising texts, combined with bold geometric patterns and the use of primary colours. The works perfectly capture the effervescent and optimistic ethos of the sixties, but are also strikingly fresh and contemporary. There is also a strain of sentimentality and nostalgia running throughout his work, with a particular focus towards childhood innocence and reminiscence, as can be seen clearly in his recent Alphabet series. Blake is renowned for his connections with the music industry, having produced iconic album covers for the Beatles, Paul Weller, The Who, and Oasis.

Peter Blake was born in Dartford in 1932 and studied at Gravesend Technical College from 1949-51. After a period of national service in the Royal Air Force, he attended the Royal College of Art, graduating in 1956. Upon graduation he won the Leverhulme Research Award, allowing him to travel and study folk art in countries such as Belgium, France, Italy and Spain: his grand tour. It was around the period of his return to the UK that Blake's style evolved from the classical naturalistic oil paintings of his early period to the collaged works containing images of movie stars, musicians and pin-up girls that we most readily associate with him (although Blake has always retained a naturalistic strain in his work and has continued to work in oil on canvas throughout his career).

During the 1960s and 70s Blake taught at various institutions and also exhibited his work in many individual and group shows, both domestically and internationally. In 1961 he won the John Moores Award for his work “Self-Portrait with Badges”, and was also featured in Ken Russell's BBC film on Pop Art 'Pop Goes the Easel', which first brought him to wide popular attention. In 1969 Blake left London to live in the West Country where he was a founding member of the Brotherhood of Ruralists in 1975. He continued to live near Bristol until 1979; during this period his work moved away from the glossy commercial pop art for which he is most celebrated and focused instead on literary and rural subjects in oil.

Blake moved back to Chiswick in 1979; upon his return to London his work reverted to the earlier pop culture references that had been his dominant inspiration previously. He still resides and works in Chiswick, maintaining a prolific output of work. He was elected a member of the Royal Academy of Arts in 1981 and appointed CBE in 1983. A major retrospective of his work - "Now We Are 64" - was held at the National Gallery in 1996, and another at Tate Liverpool in 2007.

Recent years have been as busy as ever: 2016 began with a solo show of original work - 'Portraits and People' - at London's Waddington Custot Galleries, which garnered national and international press attention. Highlights in 2015 included a commission from Tate Liverpool and the Liverpool Biennial to transform a Mersey ferry into a 'dazzle ship' to commemorate the work of First World War ship designers. Blake has designed fabrics for Stella McCartney, and carpets for the Supreme Court. In 2012 he redesigned the BRIT award statuettes and produced a portrait of the Queen commissioned by the Radio Times to celebrate her Diamond Jubilee (which appeared on its cover). He is currently working on a series of jacket designs for Penguin Books.

 

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