Marc Chagall 1887 - 1985
One of the best-known and most beloved artists of the 20th Century, Marc Chagall’s visionary work has entranced audiences for decades. The Paragon Gallery is truly honoured to announce the arrival of a stunning overview of his graphic work that will be on display between Friday 12th July until Saturday 10th August, opening with a Private View Evening on Thursday 11th July from 5.30 - 8pm.
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Viewers will find some of the most enduring and poetic images of modern art depicted in an array of techniques, from etching to lithography. The collection will include examples from the artist’s greatest bodies of original prints.
Born in 1887 in Russia, he studied in St Petersburg and then went to Paris where he befriended the avant-garde circle of artists. Chagall travelled extensively throughout Europe before escaping to the United States at the outbreak of the Second World War. In 1917 he returned to his native Vitebsk where he was made Director and Commissar of Fine Art. However, his fantasy-based work irked the conservative authorities so he left for Moscow to design for the new Jewish Theatre. Returning to Paris in 1923 he met the art-dealer Vollard for whom he illustrated Gogol’s Dead Souls and the Fables of La Fontaine. Between 1941-47 he moved between occupied France and the USA, eventually settling near Nice.
Settling permanently in Paris in 1948, he exhibited at the Louvre and undertook a series of major commissions for the United Nations, the Paris Opera, the cathedral in Metz and the Hadassah University Medical Centre in Jerusalem.
Chagall was a prolific artist, his work reminiscent of Jewish life, bible stories and of the folklore from his early years in Russia. He preferred to compose his images based upon emotional and poetic associations rather than rules of pictorial logic and drew extensively from folk art and his Jewish heritage. Chagall died in 1985 at the age of 97.
“When Matisse dies”, declared Picasso,“Chagall will be the only painter left who understands what colour really is.”
Lithograph
Suite: The Odyssey of Homer
Unsigned
Edition of 250
Paper size: 32.5 x 44cm
£2000 Framed
Original Lithographic Poster
Unsigned
Paper size: 58 x 84cm
£1950 Framed
Printed by the renowned Atelier Mourlot Paris for an exhibition of Chagall's work presented by Borstahusens Konstf Rening Gallery at the Konsthallen Landskrona in Lanskrona, Sweden from 15 June- 31 August 1967.
Far from a simple reproduction of an original painting, these posters have become rare and collectible works of art in their own right. The Atelier Mourlot in Paris pioneered the creation of lithographic prints, inviting the most iconic artists of the time to work alongside the master printers of the studio. Intimately involved with the design and creation of these posters, the artists formed a lasting collaboration with Mourlot that resulted in some of the most sought-after images in modern art. Most of these posters would have been displayed in public places, being eventually torn down or pasted over. Few can be found in good condition today.
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Paper size: 24.2 x 30.4cm
£SOLD
The etchings for La Fontaine’s Fables were commissioned by the famous art dealer Ambroise Vollard and his choice of the ‘romantic’ artist Chagall to illustrate the ‘classical’ French masterpiece created a considerable furore at the time, even being debated in the Chamber of Deputies. Vollard answered the question of Why Chagall? by saying, simply because his aesthetic seems to me in a certain sense akin to La Fontaine’s, at once sound and delicate, realistic and fantastic. They are considered one of the great suites of the 20th century. The four offered here are from one of just 85 sets which were hand painted by Chagall himself and most are signed in the plate. Each print will be accompanied by a copy of the justification page, signed by Chagall.
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Hand-painted by Chagall
Paper size: 23.8 x 29cm
£3250 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Hand-painted by Chagall
Paper size: 24.4 x 28cm
£2950 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Hand-painted by Chagall
Paper size: 23.5 x 29cm
£2950 Framed
Etching, 1952
Suite: The Fables of La Fontaine
Signed in Plate
Paper size: 24 x 29.5cm
£1450 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Paper size: 24 x 29cm
£1450 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Paper size: 23.5 x 28.6cm
£1450 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Paper size: 23 x 29cm
£1450 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Paper size: 23.5 x 29cm
£1450 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Paper size: 24 x 30cm
£1450 Framed
Etching
Suite: Les Fables de la Fontaine
Signed in plate
Edition of 200
Paper size: 24 x 30cm
£1450 Framed
Original Lithographic Poster
Signed in plate
Paper size: 51 x 75cm
£850 Framed
Etching with Aquatint
Suite: Celui qui Dit les Choses sans Rien Dire
Unsigned
Edition of 225
Paper size: 29.7 x 39cm
£2500 Framed
Delicate and intimate, Chagall’s etchings for this suite were made in 1976 when he was 89 years old at the very end of his life. They were published in an edition of 225 only, one of the artist’s last and most personal works. Published by Maeght, Chagall illustrated the words of the French poet Louis Aragon for this suite of 25 etchings with aquatint. Aragon was one of the founding members of the Surrealist movement which swept through the art world in the early 1920s.
Aragon’s poetry was strange and diverse, often swaying between the lyrical and the overtly political. The title of Chagall’s series – ‘Those who speak without saying anything’ – highlights the satirical bent to Aragon’s poetry, but also the key surrealist concept of unconscious action: ‘speaking’ without ‘saying’.
Etching with Aquatint
Suite: Celui qui Dit les Choses sans Rien Dire
Unsigned
Edition of 225
Paper size: 29.7 x 39cm
£2500 Framed
Etching with Aquatint
Suite: Celui qui Dit les Choses sans Rien Dire
Unsigned
Edition of 225
Paper size: 29.7 x 39cm
£2500 Framed
Etching with Aquatint
Suite: Celui qui Dit les Choses sans Rien Dire
Unsigned
Edition of 225
Paper size: 29.7 x 39cm
£2500 Framed
Etching
Suite: Bible 1956 Book I
Signed in plate
Edition of 295
Paper size: 24.2 x 33cm
£2500 Framed
Almost 10 years in the making, and comprising over 100 etchings, the Bible Series was the third of Chagall’s etching suites to be commissioned by the publisher Ambroise Vollard. Chagall’s Jewish identity had always informed his work; in this major suite, begun in 1930, it was to take centre stage.
Embarking on the project during a time of economic uncertainty, Chagall travelled to Palestine in 1931 for inspiration and worked on the plates throughout the 1930s, even as anti-Semitic violence and the rise of the Nazis threatened its existence. By January 1934, a major blow to the project came when Vollard suspended his financial support as he weathered the Depression, but Chagall continued unabated. The first 66 plates were completed by 1939, with the latter 39 already begun; but after Vollard’s untimely death and the advent of WWII, the project was postponed.
It would not be taken up again until 1952, when Chagall returned to the 39 unfinished plates. By 1956 the suite was complete, and a new publisher was found in Tériade. The final 105 etchings, characterised by an exquisite interweaving of lines hatched, scratched, and scored, are thought to be Chagall’s greatest and most personal work as a printmaker.
Etching
Suite: Bible 1956 Book I
Signed in plate
Edition of 295
Paper size: 23.8 x 31.3cm
£2000 Framed
Etching
Suite: Bible 1956 Book I
Signed in plate
Edition of 295
Paper size: 25.3 x 30cm
£2000 Framed
Etching
Suite: Bible 1956 Book I
Unsigned
Edition of 295
Paper size: 23.8 x 34.3cm
£2000 Framed
Etching
Suite: Bible 1956 Book I
Signed in plate
Edition of 295
Paper size: 23.8 x 30.2cm
£2000 Framed
Etching
Suite: Bible 1956 Book I
Signed in Plate
Edition of 295
Paper size: 28.8 x 33cm
£2000 Framed
Lithograph
Unsigned
Paper size: 42 x 60cm
£SOLD
Original lithographic poster, printed by L.R.B Permild & Rosengreen.
Etching
Suite: Gogol’s The Dead Souls
Signed in plate
Edition of 368
Paper size: 21.5 x 27.5cm
£950 Framed
In September 1923, emboldened by a letter received from his old friend the French poet Blaise Cendrars declaring ‘Come, you are famous here, and Vollard is waiting for you,’ Chagall left Berlin for Paris; a decision that was to have a profound affect on his future career. Vollard was indeed waiting for him with a commission to illustrate one of the deluxe livres de peinture that the dealer had a passion for. Chagall suggested Gogol’s Dead Souls, one of his favourites.
The story follows the ignominious hero Chichikov’s epic journey across provincial Russia as he barters with bureaucrats and swindlers to buy up the names of dead serfs. It afforded him limitless scope for returning, in his imagination, to the rural Russia of his childhood and allowed him to tap into the ‘magic chaos’ that chimed with his own art and life. The etchings for the Dead Souls were executed between 1923 and 1927 and printed in 1927 where they then lay in Vollard’s warehouse ‘sleeping their sweet sleep’ as Chagall put it. They were finally united with the text and published by Tériade in 1948 after Vollard’s untimely death.
Etching
Suite: Gogol’s The Dead Souls
Signed in plate
Edition of 368
Paper size: 21 x 27.8cm
£950 Framed
Etching
Suite: Gogol’s The Dead Souls
Signed in plate
Edition of 368
Paper size: 21.5 x 27.5cm
£950 Framed
Etching
Suite: Gogol’s The Dead Souls
Signed in plate
Edition of 368
Paper size: 20.5 x 27.5cm
£950 Framed
Lithograph
Suite: The Bible Series
Unsigned
Paper size: 26 x 35.5cm
£1150 Framed
When Chagall met renowned printer, Fernand Mourlot in 1948 at his atelier in Paris, he realized that in lithography he had found the perfect graphic medium for his art. It rapidly became his preferred printing technique due primarily to the possibilities it offered with colour. Following Tériade’s acquisition of the etched Bible Suite it was suggested that Chagall re-imagine a Bible Series in colour lithography. These lithographs, printed by the great French lithographers Mourlot Frères, were published in 1956. They were met with such critical praise that Chagall produced a further set in 1960.
Lithograph
Suite: The Bible Series
Unsigned
Paper size: 26 x 35.5cm
£750 Framed
Lithograph
Suite: The Bible Series
Unsigned
Paper size: 26 x 35.5cm
£950 Framed
Lithograph
Suite: The Bible Series
Unsigned
Paper size: 26 x 35.5cm
£750 Framed
Lithograph
Suite: The Bible Series
Unsigned
Paper size: 26 x 35.5cm
£700 Framed
Lithograph
Suite: The Bible Series
Unsigned
Paper size: 26 x 35.5cm
£1150 Framed
Lithograph
Suite: The Bible Series
Unsigned
Paper size: 26 x 35.5cm
£750 Framed
Original lithographic poster, printed by Mourlot, for a mixed exhibition at Musee Jacquemart 1979
Unsigned
Paper size: 54 x 74.5cm
£1250 Framed
Lithograph
Unsigned
Paper size: 92 x 151cm
£4950 Framed - SOLD -check availability with the gallery
A set of twelve original lithographs, designed in 1962 as designs for the Jerusalem windows. Printed in Paris by the renowned Atelier Mourlot, some of which are in twenty colours. The designs of the windows are: Judah, Levi, Simeon, Reuben, Zebulun, Benjamin, Isaachar, Joseph, Dan, Gad, Asher and and Nephtali. The Twelve Tribes lithographs after Chagall were based on preliminary sketches for the Jerusalem stained-glass windows. In 1959 Chagall was commissioned to design twelve stained glass windows for the new synagogue of the Hadassah-Hebrew University Medical Centre in Jerusalem. The number twelve is considered spiritual and sacred. These magnificent windows symbolise the twelve sons of Jacob from whom sprang the twelve tribes of Israel.
Keen that his designs be more widely disseminated, Chagall was closely involved with the production of the set of lithographs created by the world famous Mourlot. The publisher, James Parton, recalled how the artist stood beside the lithographer to watch the single sheets pass through the hand-fed stone press, one colour at a time, to catch every nuance of shading. He threw out the whole first set of gravure plates: the yellow, he felt, was off a shade.
Lithograph, celebrating Chagall’s Jerusalem windows, printed by Mourlot
Suite: Vitraux pour Jerusalem
Unsigned
Paper size: 24.5 x 32.5cm
£SOLD
Lithograph, celebrating Chagall’s Jerusalem windows, printed by Mourlot
Suite: Vitraux pour Jerusalem
Unsigned
Paper size: 24.5 x 32.5cm
£850 Framed
Etching and Drypoint
Unsigned
Edition of 960
Paper size: 80 x 40cm
£3000 Framed
Full set of 5 etching with drypoints to illustrate Marcel Arland's Maternité. Images include: La Honte, La Naissance, La Rixe, Couple au Lit and La Visite par la Fenêtre.
Lithograph
Suite: Chagall Lithographie
Unsigned
Printed by Mourlot
Paper size: 24.5 x 32cm
£SOLD
Lithograph
Suite: Chagall Lithographie
Unsigned
Printed by Mourlot
Paper size: 24 x 32cm
£SOLD
Lithograph
Suite: Chagall Lithographie
Unsigned
Printed by Mourlot
Paper size: 24 x 32cm
£850 Framed
Lithograph
Suite: Chagall Lithographie
Unsigned
Printed by Mourlot
Paper size: 24 x 32cm
£850 Framed
Lithograph
Suite: Chagall Lithographie
Unsigned
Printed by Mourlot
Paper size: 24 x 32cm
£750 Framed
Original lithographic poster printed by Mourlot, Paris for a Chagall exhibition in Ceret
Unsigned
Paper size: 49 x 68cm
£700 Framed
Offset Lithograph
Suite: Les Ateliers de Chagall
Unsigned
Edition of 250
Printed by Mourlot
Paper size: 21 x 27cm
£1750 Framed
In 1976, close to the end of his life Marc Chagall, Fernand Mourlot, and Robert Marteau collaborated in the making of Les Ateliers de Chagall (Chagall’s Studios), an illustrated book featuring seven original lithographs and two woodcuts by Chagall. The remaining images included in the book are colour lithographs, after gouaches by Chagall, printed by Charles Sorlier under the artist’s supervision.
Woodcut
Suite: Les Ateliers de Chagall
Unsigned
Printed by Mourlot
Paper size: 10.5 x 16.5cm
£750 Framed
Woodcut
Suite: Les Ateliers de Chagall
Unsigned
Printed by Mourlot
Paper size: 9 x 11.5cm
£750 Framed
Offset Lithograph
Suite: Les Ateliers de Chagall
Unsigned
Edition of 250
Printed by Mourlot
Paper size: 12 x 22cm
£1500 Framed
Offset Lithograph
Suite: Les Ateliers de Chagall
Signed in plate
Edition of 250
Printed by Mourlot
Paper size: 16 x 23cm
£950 Framed
Offset Lithograph
Suite: Les Ateliers de Chagall
Signed in plate
Edition of 250
Printed by Mourlot
Paper size: 64.5 x 44cm
£1500 Framed
Etching
Suite: Les Sept Péchés Capitaux (The Seven Deadly Sins)
Unsigned
Edition of 300
Paper size: 10.5 x 16cm
£850 Framed
Etching
Suite: Les Sept Péchés Capitaux (The Seven Deadly Sins)
Unsigned
Edition of 300
Paper size: 10.5 x 16cm
£850 Framed
Lithograph
Suite: Paris Opera Ceiling
Signed in plate
Paper size: 48 x 32.5cm
£1150 Framed
Lithograph engraved by Charles Sorlier after the original sketches by Marc Chagall for the Paris Opera Ceiling. Lithograph printed by Mourlot Freres. Centrefold as issued.
Lithograph
Suite: Paris Opera Ceiling
Signed in plate
Paper size: 48 x 32.5cm
£1150 Framed
Original lithographic poster printed by Mourlot, Paris for an exhibition of Chagall etchings at Bibliothèque National. The image is the etching and aquatint, The Vision or Die Erscheinung 1924.
Unsigned
Paper size: 45 x 56cm
£750 Framed
Lithograph
Signed in plate
Paper size: 58 x 81cm
£1200 Framed
Original lithographic poster, designed and printed for stained glass exhibition, Reims published by the renowned Atelier Mourlot, Paris.
Lithograph
Unsigned
Printed by the renowned Atelier Mourlot Frêres in Paris 1969. Centrefold as issued
Paper size: 40.5 x 30.5cm
£550 Framed - SOLD - check availability with the gallery
Lithograph
Suite: Derriere le Miroir
Unsigned
Printed by Maeght, centrefold as issued
Paper size: 56 x 38cm
£850 Framed
Lithograph
Suite: The Odyssey of Homer
Unsigned
Edition of 250
Paper size: 32.5 x 44cm
£2000 Framed
Marc Chagall’s Odyssey of Homer portfolio is a tribute to Homer’s epic poem and illustrates the main stages of the text. Chagall visited Greece twice – in 1952 and 1954 – and it was from these visits that he drew much of his inspiration from the ancient mythological motifs. The lithographs were published and printed by Fernand Mourlot in Paris and some of the images required as many as 20 layers of colour.